That Drifting Excrement Was Far Too Meaningful! It's the TV Disappointments of the Year.

Looking back, we reflect on the TV offerings of the recent year, a handful of series emerge not for their brilliance, but for their spectacular shortcomings. From cringe-inducing sequels to confusingly poor documentaries, here are the productions that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Burdened with woeful writing, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. For a moment, as the final series began, it seemed as if it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator declared this would be the last season. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was just way too on-the-nose. Still, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this show's issues. The subject of a exceedingly uncommon no-star assessment, it was difficult to know where to begin listing the flaws. The hilariously leaden dialogue? The mind-numbing veneration of wealth and consumption? The seemingly deliberate parade of tropes? Acting so poor they felt borderline spiteful? Let’s just say “all of the above” and forget about this series again. However, a second season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse allegations and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various bouts of reckless excess while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to suffer close contact with this charming but flippant narcissist.

The Iris Affair

Naturally we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

MobLand

Shady characters meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing accents. But there were plenty of other issues. Primarily that it was just really dull; a dispute over narcotics territory between various cockney rogues which seemed a bit basic.

With Love, Meghan

Given the degree to which she grinds the gears of certain ostentatiously angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised ventures into twee homemaking as intentional provocations. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a lifestyle catalogue animated; a meme for wine o’clock with ideas of grandeur; a procession of sleeping dogs, humming beehives, sentimental platitudes and pointless crafting “hacks” you’ll forget instantly. All supported by immense, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be discussed about both Victoria Beckham and her struggles with career, identity, self-worth. But for some reason, this three-part series opted not to say them. Instead, the viewing was akin to reading a sales catalogue. She clearly has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this guarded non-event of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a production that was trying way too hard to live up to something way beyond it.

Too Much

How do you follow a show that captured a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of gifted emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from strangely jaunty, slightly stylised farce to ultimately, real-life horror. Complex? Arguably. A total mess? Very much so.

Prime Target

We admire the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a discovery that could destabilise society? No! This international thriller about secret services targeting – and killing off – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for sexual exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was way more examination of her actual psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to haul her son away from the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Dana Smith
Dana Smith

Elena Marchetti is a philosopher and writer exploring ancient wisdom's relevance in modern life, with a focus on stoicism and mindfulness.